38.5 F
Chicago
Saturday, October 20, 2018

Consumer Laundering – Piracy’s Silver Lining Unfolds

Operators of online piracy websites should take note, they're sitting on the next media gold rush: Consumer Laundering, or, Scrubbing Your Subscribers.

Currency Woes – Why the Weak Dollar Is Helping and Hurting Hollywood

A week dollar is great for US producers looking to secure foreign pre-sale contracts, but it can also work against US producers looking to shoot abroad.

Film Closings’ Response to Chicago Tribune & Screen

Film Closings was featured this week in a Chicago Tribune article as well as in Screen juxtaposing what others in the state were saying and rallying for when it came to the IL film incentive. This post gives a broader understanding to our view on the credit climate overall. As well as a Pop Quiz.

Film Funds: It’s Not You, It’s Them

A lack of funding options is creating opportunities for new funds to enter the indie market; understanding their funding criteria is Job #1 for producers...

Highlights From The 3rd Annual Film Finance Forum: Part 2

Last week I moderated Variety's panel on “How to Make Crowd-Funding Work for Filmmakers” and it marks a seminal moment in the convergence of filmmaking and technology. Hear me out...

Oscars & Financing: “A-list” isn’t “Always-List”

What does A-List mean and what effect does it have on getting a film financed? Does winning an Oscar make you an A-List star? Depends on how you define A-List.

Power to the People: The Democratization of Film

For indie filmmakers, Production is the first of the three barriers-to-entry to crumble under the weight of the masses. Finance and Distribution are next.

Note: Oscars Don’t Finance Films

Why are Kathryn Bigelow & Mark Boal, the Oscar wining director & writer of The Hurt Locker, having to leak their pitch to the press to drum up financial support?

Indie Producers Don’t Understand Tax Credits

Indie producers are on a relentless quest to find the elusive "final 20%" of their budgets. They've raised the equity, made the presales, maxed the gap, and still they come up 20% short. Even with a whopping 40% cash rebate! So why then are they still stumbling around trying to fill that final 20% of their budgets?! Because producers can't get out of their own way.

Star Power Is Anything But.

I can’t speak for studios, but in the indie marketplace, this fundamental shift of star power declining could be good news for producers. A solid script and a proven producer might be a bigger value to buyers than a star’s name.

Stay connected

0FansLike
1,152FollowersFollow
7,003SubscribersSubscribe

Latest article

video

Andre Royo talks about “Beautiful Boy”

Actor Andre Royo discusses "Beautiful Boy" at the Chicago International Film Festival. Royo explains why he is proud to play the role of...
video

“American Horror Story” Star Evan Peters Jokes About Robbing a Convenience Store

“American Horror Story” star Evan Peters joked he wanted to know what it felt like to rob a convenience store with his real-life counterpart...
video

“Nigerian Prince” – Exclusive Clip

Watch a clip from "Nigerian Prince," the first winning film from AT&T Presents: Untold Stories created by AT&T and Tribeca. source